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A quirky literary mystery from the iconic modernist writer known for her Jazz-Age Paris salon and bestselling book The Autobiography of Alice B. Toklas. Gertrude Stein was a distinctly unique talent who penned many novels, essays, and poems. And on one occasion, during a bout of writer's block, she decided to play with the popular genre of mystery fiction. The book that resulted, Blood on the Dining-Room Floor, is not your typical whodunit, just as Stein was not your typical author. With elements of her trademark avant-garde style, the story revolves around the mysterious passing of Madame Pernollet, who is found dead in the courtyard of a hotel owned by her husband. Incorporating some autobiographical details from events at her own French country house, Stein invites the reader to play detective—and offers a glimpse into one of the early twentieth century's most interesting and challenging literary minds.

'I always wanted to be historical,' Gertrude Stein once quipped. In 1932, Stein began writing the 'autobiography' of her longtime friend and companion, Alice B. Toklas. The book, an immediate bestseller, guaranteed them both a place in history. An account of their life together in Paris before, during, and after World War I, it is full of the atmosphere of the changing life of the city and of idiosyncratic glimpses of such figures as Matisse, Picasso, Braque, Cocteau, Apollinaire, Pound, Eliot, Hemingway, and other luminaries and aspirants who were their close friends. But at the center of the narrative there is always the titanic figure of Gertrude Stein, the self-proclaimed 'first-class genius' who some dismissed as the 'Mother Goose of Montparnasse,' presiding over her celebrated residence-salon-art gallery at 27, rue de Fleurus. William Troy remarked about her: 'It is not flippant to say that if she had not come to exist . . . it would be necessary to invent Miss Gertrude...

"Alice B. Toklas wrote hers and now everybody will write theirs." In 1933 Gertrude Stein's The Autobiography of Alice B. Toklas skyrocketed to the top of the bestseller lists, and the author found herself a celebrity. Everybody's Autobiography is the very Steinian account of her soul-satisfying next five years in France, England, and America, where she made a triumphant tour of the country. Here are Stein's devastating analyses of some of the major figures of the day whom she met--among them Dashiell Hammett, Charlie Chaplin, Pablo Picasso, Marianne Moore, Mrs. Roosevelt, and Sherwood Anderson--and also of her own life and work.

Published to commemorate its 75th anniversary, The World Is Round brings back into print the classic story created by Gertrude Stein and Clement Hurd.Written in her unique prose style, Gertrude Stein's The World Is Round chronicles the adventures of a young girl named Rose--a whimsical tale that delights in wordplay and sound while exploring the ideas of personal identity and individuality. This stunning volume replicates the original 1939 edition to a T, including all of Clement Hurd's original blue-and-white art printed on the rose-pink paper that Stein insisted upon. Also featured here are two essays that provide an inside view to the making of the book. The first, a foreword by Clement Hurd's son, author and illustrator Thacher Hurd, includes previously unpublished photographs and sheds light on a creative family life in Vermont, where his father and mother, author Edith Thacher Hurd, often collaborated on children's books. The second essay, an...

Wars I Have Seen is the American writer Gertrude Stein's memoir of her experiences during the Second World War. Gertrude Stein was living in Europe during the time of the war.

Gertrude Stein's monumental novel, back in print a century after its first publication.In The Making of Americans, Gertrude Stein sets out to tell "a history of a family's progress," radically reworking the traditional family saga novel to encompass her vision of personality and psychological relationships. As the history progresses over three generations, Stein also meditates on her own writing, on the making of The Making of Americans, and on America itself.

A classic work of experimental poetry by a titan of modernist literatureTender Buttons, Stein's first published work of poetry, debuted in 1914 as a volume of powerful avant-garde expression. This meditation on ordinary living is presented in three compelling sections—"Objects," "Food," and "Rooms"—through which Stein delights in experiments with language. Emphasizing rhythm and sonority over traditional grammar, Stein's wordplay has garnered praise from readers and critics alike. In "A Piece of Coffee," for example, Stein plays with conventional language and cubist imagery to produce a stunningly original literary effect:A single image is not splendor. Dirty is yellow. A sign of more is not mentioned. A piece of coffee is not a detainer. The resemblance to yellow is dirtier and distincter. The clean mixture is whiter and not coal color, never more coal color than altogether. This ebook has been professionally proofread...

Gertrude Stein wanted Ida to be known in two ways: as a novel about a woman in the age of celebrity culture and as a text with its own story to tell. With the publication of this workshop edition of Ida, we have the novel exactly as it was published in 1941, and we also have the full record of its creation. Logan Esdale offers informative critical commentary and judiciously selected archival materials to illuminate Stein's experience of authorship from the novel's beginning in early summer 1937, through the various drafts and negotiations with her publisher, to the reviews that greeted the book's publication. Stein's careful and systematic preservation of all Ida-related materials for her archive at the Yale University Library was a conscious decision, and an invitation for us to study the complexity of her creative process. Ida, a character reportedly inspired by Wallis Simpson, the infamous Duchess of Windsor, is someone who becomes well known for being well known. In the novel, a mature Stein explores the significance of being well known to others and the effect that has on where we live and who we love. She offers an engaging picture of Ida's adventures in the world of identity, as well as a fascinating reflection on her own career as a famous personality.Review"Esdale’s innovative approach results in an enriching contribution to Stein scholarship. [...] Highly recommended." – Linda Simon, Choice"Stein constructs a cubist portrait or skewed biography of Ida [and her] contradictory desires—wanting a home, needing to escape; wanting to be known and not. [...] [T]here’s a bounty of tension and release [and] [r]elease from textual and narrative tension comes, in part, through Stein’s remarkable voice. [...] The editor, Logan Esdale, has written an excellent introduction (and notes throughout) containing necessary biographical and textual information." — Lynne Tillman, The New York Times Book Review“The strangest book I read [when I was young] was Ida, by Gertrude Stein, which my mom gave to me without much fanfare. This must have been when I was in high school. It’s an odd book, with a telescoping narrator and that new-brain prose of Stein’s. My first encounter with very simple sentences looted of sense. I loved it.” — Ben Marcus, weirdfictionreview.com From the Back Cover"Step by difficult step Logan Esdale slowly entered Stein's domain where she alone had made decisions working on Ida, composing her novel and figuring out what to do with Ida and how. Esdale's book now becomes a handbook, a new approach to Stein scholarship, and authorship, based on Stein's own archive. He wanted to discover for himself and to show us how she worked as she did." -- Ulla Dydo, author of *Gertrude Stein: The Language That Rises, 1923-1934*"For those brave souls who undertake to read and teach that strangest of short novels in British and American literature, Gertrude Stein's Ida, Logan Esdale's edition is the indispensable text. It is a major contribution to the scholarship and the interpretation of Gertrude Stein's literary art. Esdale brilliantly sets forth the history and the world of Ida, its universe of discourse. If only I'd had Esdale's text when I was supposing what Ida said." -- Neil Schmitz, author of Of Huck and Alice: Humorous Writing in American Literature