Medina Series by Jones, Sherry
Medina #1
The Jewel Of Medina
Jones, Sherry
From the PublisherBorn Aisha bint Abi Bakr in seventh century Arabia, she would become the favorite wife of the Prophet Muhammad, and one of the most revered women in the Muslim faith. Married at the age of nine, The Jewel of Medina illuminates the difficult path Aisha confronted, from her youthful dreams of becoming a Bedouin warrior, to her life as the beloved wife and confident of the founder of Islam.Extensively researched and elegantly crafted, The Jewel of Medina presents the beauty and harsh realities of life in an age long past, during a time of war, enlightenment, and upheaval. At once a love story, a history lesson, and a coming-of-age tale, The Jewel of Medina provides humanizing glimpses into the origins of the Islamic faith, and the nature of love, through the eyes of a truly unforgettable heroine.From Publishers WeeklyJones's controversial novel about A'isha bint Abi Bakr, the "child-bride" and one of the favored wives of Muhammad, comes to light amidst a swirl of debate about free speech. As for the book itself, it's not bad for a first novel. It opens with a 14-year-old A'isha returning to Muhammad in the company of her first love. Fearing she'd been unfaithful, Mohammad sends her back to her parents while he debates her innocence. The novel then backtracks to A'isha's youth, where her strength of character and sharp wit quickly become apparent. When she's betrothed to Muhammad at age six, she's ordered confined to her house (to preserve her virginity) until her marriage three years later. She is forced to leave her beloved Mecca for Medina when it becomes unsafe for Muhammad and his followers, and as Muhammad-here depicted as caring, progressive and politically savvy-marries more women and early followers of Islam face political challenges and devastating battles, A'isha grows from a self-centered child to a worldly woman whose advice and counsel are a source of comfort and strength to Muhammad. The subject matter here is more spectacular than the writing, which tends toward the maudlin and purple. It's a page turner, but not outstanding. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. ReviewForeign Rights Sold: UK, Germany, Spain, Hungary, Italy, Macedonia, Brazil, Serbia (second printing set for October); E-BOOK will also be available on October 15, 2008Book WEBSITE: www.jewelofmedinabook.comThere will be a book group focus with 20 min author interviews available. Author Q&A and Reading Group Guide both availableFirst print run: 80,000; Publicist: Michael Wright of Garson & Wright Public Relations, Inc.International author book tour will include major US cities, UK, and Germany including Author signing at the at Frankfurt Book Fair.Major national radio and television coverage.
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Medina #2
The Sword Of Medina
Jones, Sherry
Before dying, Muhammad left his jeweled sword, al-Ma'thur, to A'isha, telling her to use it in the jihad to come. But what if the jihad is against her own people? After 20 years of distrust and anger, can A'isha and Ali come together to preserve the future of their people and their faith--or will their hatred of each other destroy everything Muhammad worked to build? This climactic sequel to the controversial [i]The Jewel of Medina[/i] returns to 7th century Arabia to discover whether, after fighting a civil war, a people can ever truly heal.From Publishers WeeklyStarred Review. This able novel, sequel to Jones's controversial bestseller The Jewel of Medina, continues to examine the history of Islam, a topic unfamiliar to most Americans. Jones imbues her 7th century tale with rich personalities and honorable motives, following a course of events that most Muslims can agree on, taking place between Muhammed's death and the reign of the first four Rightly-Guided Caliphs. Aside from the taboo of depicting a fictional Muhammed, Jones also skrits controversy with sexual tension between A'isha (child bride and favorite wife of Muhammed) and her cousin Talha, described with romance-novel breathlessness. Still, Jones largely sticks to what is known, rendering characters human without any irreverence. Sharing narration with A'isha is her brother-in-law Ali; the two tell vastly different versions of events, beginning with Muhammed's death and culminating in a battle led by A'isha against Ali. Jones handles skillfully the adversaries' peculiar combination of mutual respect and enmity; the rest of her fictionalized history comes alive with delicate, determined prose. Fortunately for readers, this volume was saved by Beaufort after Muslim extremists forced editors at Random House to pull the plug, making this not just a rollicking lesson in Islamic history but a victory over the forces of censorship. ReviewThis able novel, sequel to Jones's controversial bestseller The Jewel of Medina, continues to examine the history of Islam, a topic unfamiliar to most Americans. Jones imbues her 7th century tale with rich personalities and honorable motives, following a course of events that most Muslims can agree on, taking place between Muhammed's death and the reign of the first four Rightly-Guided Caliphs. Aside from the taboo of depicting a fictional Muhammed, Jones also skrits controversy with sexual tension between A'isha (child bride and favorite wife of Muhammed) and her cousin Talha, described with romance-novel breathlessness. Still, Jones largely sticks to what is known, rendering characters human without any irreverence. Sharing narration with A'isha is her brother-in-law Ali; the two tell vastly different versions of events, beginning with Muhammed's death and culminating in a battle led by A'isha against Ali. Jones handles skillfully the adversaries' peculiar combination of mutual respect and enmity; the rest of her fictionalized history comes alive with delicate, determined prose. Fortunately for readers, this volume was saved by Beaufort after Muslim extremists forced editors at Random House to pull the plug, making this not just a rollicking lesson in Islamic history but a victory over the forces of censorship. -- Publisher's Weekly (October 2009)
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