Night Soldiers Series by Alan Furst
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Night Soldiers #1
Mission to Paris
Alan Furst
It is the late summer of 1938, Europe is about to explode, the Hollywood film star Fredric Stahl is on his way to Paris to make a movie for Paramount France. The Nazis know he’s coming—a secret bureau within the Reich Foreign Ministry has for years been waging political warfare against France, using bribery, intimidation, and corrupt newspapers to weaken French morale and degrade France’s will to defend herself.For their purposes, Fredric Stahl is a perfect agent of influence, and they attack him. What they don’t know is that Stahl, horrified by the Nazi war on Jews and intellectuals, has become part of an informal spy service being run out of the American embassy in Paris.From Alan Furst, the bestselling author, often praised as the best spy novelist ever, comes a novel that’s truly hard to put down. Mission to Paris includes beautifully drawn scenes of romance and intimacy, and the novel is alive with extraordinary characters: the German Baroness von Reschke, a famous hostess deeply involved in Nazi clandestine operations; the assassins Herbert and Lothar; the Russian film actress and spy Olga Orlova; the Hungarian diplomat and spy, Count Janos Polanyi; along with the French cast of Stahl’s movie, German film producers, and the magnetic women in Stahl’s life, the socialite Kiki de Saint-Ange and the émigré Renate Steiner.But always at the center of the novel is the city of Paris, the heart and soul of Europe—its alleys and bistros, hotels grand and anonymous, and the Parisians, living every night as though it was their last. As always, Alan Furst brings to life both a dark time in history and the passion of the human hearts that fought to survive it.Advance praise for *Mission to Paris “The writing in Mission to Paris, sentence after sentence, page after page, is dazzling. If you are a John le Carré fan, this is definitely a novel for you.”—James Patterson“I am a huge fan of Alan Furst. Furst is the best in the business—the most talented espionage novelist of our generation.”—Vince FlynnPraise for Alan Furst“Unfolds like a vivid dream . . . One couldn’t ask for a more engrossing novel.”—The Wall Street Journal, about Spies of the Balkans “Though set in a specific place and time, Furst’s books are like Chopin’s nocturnes: timeless, transcendent, universal. One does not so much read them as fall under their spell.”—Los Angeles Times, about The Spies of Warsaw“Alan Furst’s novels swing a beam into the shadows at the edges of the great events leading to World War II. Readers come knowing he’ll deliver effortless narrative.”—USA Today, about The Foreign Correspondent“Positively bristles with plot, characters and atmosphere . . . Dark Voyage has the ingredients of several genres—the mystery, the historical novel, the espionage thriller, the romance—but it rises above all of them.”—The Washington Post, about Dark Voyage“No other espionage writer touches [Furst’s] stylish forays into Budapest and Berlin, Moscow and Paris. No other writer today captures so well the terror and absurdity of the spy, the shabby tension and ennui of émigré communities at the time. His characters are hopeless, lethal, charming. His voice is, above all, knowing.”—Boston Sunday Globe, about Blood of Victory*Amazon.com ReviewGuest Reviewer: Justin Cronin on Mission to Paris by Alan Furst *Justin Cronin is the New York Times bestselling author of The Passage, Mary and O’Neil (which won the PEN/Hemingway Award and the Stephen Crane Prize), and The Summer Guest. Other honors for his writing include a fellowship from the National Endowment for the Arts and a Whiting Writers’ Award. A Distinguished Faculty Fellow at Rice University, he divides his time between Houston, Texas, and Cape Code, Massachusetts.*Fans of Alan Furst are a passionate lot, and I count myself among them. Put a group of Furst’s readers in a room, and before long they will be ardently advocating for their favorites (I always come out swinging for The World at Night), only to change their minds, and change them again, as they are reminded of an especially harrowing episode in The Polish Officer, or a perfect turn of phrase in Blood of Victory, or a sumptuous love scene in The Spies of Warsaw.So which of Furst’s novels is his best? In my opinion, it’s an eleven-way tie.Now, make that twelve.Furst’s elegant thrillers of World War II Europe are often grouped with the works Graham Greene and John le Carre for the literary quality of his prose. The comparison is apt, but Furst is really one of a kind: a novelist whose body of work has recast his genre, elevating it to the level of literature. He has a way of getting everything right, putting every sentence to flawless use with a compact, suggestive style. In just a few brush strokes, Furst can capture the essence of a character—man or woman, friend or foe, Gestapo officer or society doyenne—and his ability to evoke a setting makes me weep with envy. Furst’s foggy Paris streets and glittering salons aren’t just places we see; we actually seem to visit them, bathing in their rich atmospheres. When a Furst character steps into a café in the 16th Arrondissment, you can practically smell the Gauloises smoke wafting from the pages.But what truly sets Furst apart is his characters’ alignment with their circumstances. Like every great novelist, he understands that history is an overlay of private lives and public events, and therein lies the richest, most morally edifying human drama. Furst’s protagonists aren’t professional spies. Dashing, yes. Romantic, to be sure. Capable of the bon mot, without doubt. But in their hearts, they are men and women like the rest of us, adrift in the currents of their lives. It’s the exigencies of war, with all its political murk and unlikely gunpoint bedfellows, that ignite them to personal heroism. You can hear them saying, with existential fatalism, “Well, it’s been a marvelous life—wonderful food, sumptuous parties, and surprising nights of love—but I guess it’s over now. I’ll have to become something more. Count me in.”Mission to Paris is trademark Furst, a book not merely to read but to luxuriate in. Vienna-born Fredric Stahl, nee Franz Stalka, is a Hollywood actor of modest renown sent to Paris to star in a French movie named, ironically, “Apres la Guerre” (“After the War”). The year is 1938; Hitler has just taken Czechoslovakia and set his sights on Poland. With his American connections, high profile, and Germanic ancestry, Stahl attracts the interest of the political arm of the Reich’s Foreign Ministry; their goal is to manipulate him into making a public declaration against French rearmament. Initially, all Stahl wants to do is enjoy his time in Paris, where fond memories and sensual adventures await, and finish his film, for which he has high hopes. But he can’t stay on the sidelines for long; the next thing he knows, he’s flying to Berlin to judge a film festival of nakedly propagandist “mountain movies,” with stacks of Swiss francs stuffed inside his suit to purchase Nazi secrets. The night he meets his contact—the glamorous Russian actress Olga Orlova, who proves surprisingly adept with a silencer—Stahl awakens to the smell of smoke and the sound of shattering glass: beyond the windows of his hotel room, Kristallnacht is in full swing.What happens then? Please. I’ve said too much as it is.Suffice to say that for Furst’s legion of the obsessed, the novel is everything we crave and more. And for newcomers—why there should still be any, I simply don’t know—it’s certain to send them back into his rich body of work, hungry for more.Review“This is the romantic Paris to make a tourist weep ... The brilliant historical flourishes seem to create – or recreate – a world ... In Furst’s densely populated books, hundred of minor characters – clerks, chauffeurs, soldiers, whores – all whirl around his heroes in perfect focus for a page or two, then dot by dot, face by face, they vanish, leaving a heartbreaking sense of the vast Homeric epic that was World War II and the smallness of almost every life that was caught up in it.”—*The New York Times Book Review“Alan Furst again shows why he is a grandmaster of the historical espionage genre. Furst not only vividly re-creates the excitement and growing gloom of the City of Light in 1938-39, as war with Nazi Germany looms, but also demonstrates a profound knowledge of the political divisions and cultural sensibilities of that bygone era ... As summer or subway reading goes, it doesn't get more action-packed and grippingly atmospheric than this.”—*The Boston Globe“Between them, Fredric and Paris make this a book no reader will put down to the final page. Furst evokes the city and the prewar anxiety with exquisite tension that is only a bit relieved by Fredric’s encounters with several women, each a vivid and attractive character. Critics compare Furst to Graham Greene and John le Carré, but the time has come for this much-published author (this is his ninth World War II novel after Spies of the Balkans) to occupy his own pinnacle as a master of historical espionage.”*—Library Journal (starred)“Furst conveys a strong sense of the era, when responding to a knock might open the door to the end of one’s days. The novel recalls a time when black and white applied to both movies and moral choices. It’s a tale with wide appeal.”—*Kirkus (starred)“[Furst] is most at home in Paris, which is why legions of his fans, upon seeing only the title of his latest book, will immediately feel pulses quicken ... Furst has been doing this and doing it superbly for a long time now ... Long ago Furst made the jump from genre favorite to mainstream bestsellerdom; returning to his signature setting, Paris, he only stands to climb higher.”—Booklist (starred) “Alan Furst’s writing reminds me of a swim in perfect water on a perfect day, fluid and exquisite. One wants the feeling to go on forever, the book to never end ... Like Graham Greene, Furst creates believable characters caught up, with varying degrees of willingness, in the parade of political life. And because they care, the reader does, too ... Furst is one of the finest spy novelists working today, and, from boudoir to the beach, Mission to Paris is perfect summer reading.”—Publisher’s Weekly“The writing in Mission to Paris, sentence after sentence, page after page, is dazzling. If you are a John le Carré fan, this is definitely a novel for you.”–James Patterson"I am a huge fan of Alan Furst. Furst is the best in the business--the most talented espionage novelist of our generation."—Vince Flynn“Reading Mission to Paris is like sipping a fine Chateau Margaux: Sublime!”—Erik Larson
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Night Soldiers #3
The Polish Officer
Alan Furst
September 1939. As Warsaw falls to Hitler's Wehrmacht, Captain Alexander de Milja is recruited by the intelligence service of the Polish underground. His mission: to transport the national gold reserve to safety, hidden on a refugee train to Bucharest. Then, in the back alleys and black-market bistros of Paris, in the tenements of Warsaw, with partizan guerrillas in the frozen forests of the Ukraine, and at Calais Harbor during an attack by British bombers, de Milja fights in the war of the shadows in a world without rules, a world of danger, treachery, and betrayal. Alan Furst, an acknowledged master of the European espionage thriller, has produced a stunning achievement in The Polish Officer: dark, evocative, authentic, and taut with suspense.
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Night Soldiers #6
Kingdom of Shadows
Alan Furst
1. How does Nicholas Morath's experience as a cavalry officer in World War I affect his behavior in this book? 2. During many of Morath's assignments, he acts with very limited knowledge--he knows what he is to do, but not why, or who is involved. His uncle, a diplomat at the Hungarian legation, does not tell him the full story. Why? Is his uncle morally right to do this? Is he right in any sense? How is this used as a plot device? 3. The first verse of the Hungarian national anthem, quotes in the epigraph of Kingdom of Shadows , speaks of a people 'torn by misfortune,' a nation that has 'already paid for its sins.' How is the tone of this national anthem different from that of other patriotic songs? What can you infer about the history of Hungary from its national anthem? 4. Critics praise Furst's ability to re-create the atmosphere of World War II-era Europe with great accuracy. What elements of description make the setting come alive? How can you account for the fact that the settings seem authentic even though you probably have no first-hand knowledge of the times and places he writes about? 5. Furst's novels have been described as 'historical novels' and as 'spy novels'. He call them 'historical spy novels.' Some critics have insisted they are, simply, novels. How does his work compare with other spy novels you've read? What does he do that is the same? Different? If you owned a bookstore, in what section would you display his books? 6. Furst is often praised for his minor characters, which have been described as 'sketched out in a few strokes.' Do you have a favorite in this book? Characters in Furst's books often take part in the action for a few pages and then disappear. What do you think becomes of them? And, if you know, how do you know? What in the book is guiding you toward that opinion? 7. At the end of an Alan Furst novel, the hero is always still alive. What becomes of Furst's heroes? Will they survive the war? Does Furst know what becomes of them? Would it be better if they were somewhere safe and sound, to live out the end of the war in comfort? If not, why not? 8. Love affairs are always prominent in Furst's novels, and 'love in a time of war' is a recurring theme. Do you think these affairs might last, and lead to marriage and domesticity? 9. How do the notions of good and evil work in Kingdom of Shadows ? Would you prefer a confrontation between villian and hero at the end of the book? Do you like Furst's use of realism in the novel?
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Night Soldiers #7
Blood of Victory
Alan Furst
“In 1939, as the armies of Europe mobilized for war, the British secret services undertook operations to impede the exportation of Roumanian oil to Germany. They failed.“Then, in the autumn of 1940, they tried again.”So begins Blood of Victory, a novel rich with suspense, historical insight, and the powerful narrative immediacy we have come to expect from bestselling author Alan Furst. The book takes its title from a speech given by a French senator at a conference on petroleum in 1918: “Oil,” he said, “the blood of the earth, has become, in time of war, the blood of victory.”November 1940. The Russian writer I. A. Serebin arrives in Istanbul by Black Sea freighter. Although he travels on behalf of an émigré organization based in Paris, he is in flight from a dying and corrupt Europe—specifically, from Nazi-occupied France. Serebin finds himself facing his fifth war, but this time he is an exile, a man without a country, and there is no army to join. Still, in the words of Leon Trotsky, “You may not be interested in war, but war is interested in you.” Serebin is recruited for an operation run by Count Janos Polanyi, a Hungarian master spy now working for the British secret services. The battle to cut Germany’s oil supply rages through the spy haunts of the Balkans; from the Athenée Palace in Bucharest to a whorehouse in Izmir; from an elegant yacht club in Istanbul to the river docks of Belgrade; from a skating pond in St. Moritz to the fogbound banks of the Danube; in sleazy nightclubs and safe houses and nameless hotels; amid the street fighting of a fascist civil war.Blood of Victory is classic Alan Furst, combining remarkable authenticity and atmosphere with the complexity and excitement of an outstanding spy thriller. As Walter Shapiro of Time magazine wrote, “Nothing can be like watching Casablanca for the first time, but Furst comes closer than anyone has in years.”From the Hardcover edition.
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Night Soldiers #8
Dark Voyage
Alan Furst
“In the first nineteen months of European war, from September 1939 to March of 1941, the island nation of Britain and her allies lost, to U-boat, air, and sea attack, to mines and maritime disaster, one thousand five hundred and ninety-six merchant vessels. It was the job of the Intelligence Division of the Royal Navy to stop it, and so, on the last day of April 1941 . . .”May 1941. At four in the morning, a rust-streaked tramp freighter steams up the Tagus River to dock at the port of Lisbon. She is the Santa Rosa, she flies the flag of neutral Spain and is in Lisbon to load cork oak, tinned sardines, and drums of cooking oil bound for the Baltic port of Malmö.But she is not the Santa Rosa. She is the Noordendam, a Dutch freighter. Under the command of Captain Eric DeHaan, she sails for the Intelligence Division of the British Royal Navy, and she will load detection equipment for a clandestine operation on the Swedish coast–a secret mission, a dark voyage.A desperate voyage. One more battle in the spy wars that rage through the back alleys of the ports, from elegant hotels to abandoned piers, in lonely desert outposts, and in the souks and cafés of North Africa. A battle for survival, as the merchant ships die at sea and Britain–the last opposition to Nazi German–slowly begins to starve.A voyage of flight, a voyage of fugitives–for every soul aboard the Noordendam. The Polish engineer, the Greek stowaway, the Jewish medical officer, the British spy, the Spaniards who fought Franco, the Germans who fought Hitler, the Dutch crew itself. There is no place for them in occupied France; they cannot go home.From Alan Furst–whom The New York Times calls America’s preeminent spy novelist–here is an epic tale of war and espionage, of spies and fugitives, of love in secret hotel rooms, of courage in the face of impossible odds. Dark Voyage is taut with suspense and pounding with battle scenes; it is authentic, powerful, and brilliant.
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