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<title>Martin Edwards (ed) - Free Library Land Online - Classics</title>
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<title>Final Acts-Theatrical Mysteries</title>
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<p>British Library Crime Classics<br>“… and what a motive! Murder to save one’s artistic soul… who’d believe that?”<br>Behind the stage lights and word-perfect soliloquies, sinister secrets are lurking in the wings. The mysteries in this collection reveal the dark side to theatre and performing arts: a world of backstage dealings, where unscrupulous actors risk everything to land a starring role, costumed figures lead to mistaken identities, and on-stage deaths begin to look a little too convincing. . .<br>Mysteries abound when a player’s fate hangs on a single performance, and opening night may very well be their last.<br>contents<br>The Affair at the Novelty Theatre • Baroness Orczy<br>The Affair at the Semiramis Hotel • A. E. W. Mason<br>The Dancing Girl • Anthony Wynne<br>In View of the Audience • Marguerite Steen<br>Blood Sacrifice • Dorothy L. Sayers<br>The Wrong Make-Up • Brandon Fleming<br>The Case of the Ventriloquist’s Doll • Ernest Dudley<br>The Blind Spot • Barry Perowne<br>I Can Find My Way Out • Ngaio Marsh<br>The Lady Who Laughed • Roy Vickers<br>The Thirteenth Knife • Bernard J. Farmer<br>Drink for an Actor • John Appleby<br>Credit to William Shakespeare • Julian Symons<br>After the Event • Christianna Brand<br><br></p></div>]]></description>
<category><![CDATA[Martin Edwards (ed)]]></category>
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<pubDate>Sat, 26 Nov 2022 20:36:28 +0200</pubDate>
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<title>Foreign Bodies</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/martin-edwards-ed/foreign_bodies.jpg"><img src="https://picture.graycity.net/img/martin-edwards-ed/foreign_bodies_preview.jpg" class="fr-fic fr-dib" title ="Foreign Bodies" alt ="Foreign Bodies"/></a><br//><div>
<p>British Library Crime Classics</p>
<p>Today, translated crime fiction is in vogue – but this was not always the case. A century before Scandi noir, writers across Europe and beyond were publishing detective stories of high quality. Often these did not appear in English and they have been known only by a small number of experts. This is the first ever collection of classic crime in translation from the golden age of the genre in the 20th century. Many of these stories are exceptionally rare, and several have been translated for the first time to appear in this volume.<br>Foreign Bodies<br>Contents<br>‘A Sensible Course of Action’ translation reproduced by permission of David Higham Associates on behalf of Michael Meyer.<br>‘Strange Tracks’ reproduced courtesy of Locked Room International.<br>‘Footprints in the Snow’ reproduced courtesy of Locked Room International.<br>‘The Return of Lord Kingwood’ translation © 2017 Josh Pachter.<br>‘The Spider’ translation © 2015 by John Pugmire and Ho-Ling Wong. Reproduced courtesy of Locked Room International, first published in Ellery Queen’s Mystery Magazine.<br>‘The Venom of the Tarantula’ reproduced by courtesy of Penguin India and Locked Room International.<br>‘The Cold Night’s Clearing’ translation by Ho-Ling Wong. Reproduced courtesy of Locked Room International, first published in Ellery Queen’s Mystery Magazine.<br>‘The Mystery of the Green Room’ translation © 2011 by John Pugmire. Reproduced courtesy of Locked Room International, first published in Ellery Queen’s Mystery Magazine.<br>‘Kippers’ © Estate of John Flanders. Translation © 2017 Josh Pachter.<br>‘The Lipstick and the Teacup’ © 1957 A.W. Bruna Publishers, Amsterdam. Translation © 2017 Josh Pachter.<br>‘The Puzzle of the Broken Watch’ translation by permission of Donald A. Yates.<br><br></p></div>]]></description>
<category><![CDATA[Martin Edwards (ed)]]></category>
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<pubDate>Sun, 26 Nov 2017 20:36:31 +0200</pubDate>
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<title>Miraculous Mysteries</title>
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<p>Locked Room Mysteries and Impossible Crimes<br>British Library Crime Classics<br>Mystery crime fiction written in the Golden Age of Murder<br>Impossible crime stories have been relished by puzzle-lovers ever since the invention of detective fiction. Fiendishly intricate cases were particularly well suited to the cerebral type of detective story that became so popular during the 'golden age of murder' between the two world wars. But the tradition goes back to the days of Edgar Allan Poe and Wilkie Collins, and impossible crime stories have been written by such luminaries as Arthur Conan Doyle, G.K. Chesterton, Dorothy L. Sayers and Margery Allingham. This anthology celebrates their work, alongside long-hidden gems by less familiar writers. Together these stories demonstrate the range and high accomplishment of the classic British impossible crime story over more than half a century.<br>Contents<br>Introduction<br>THE LOST SPECIAL<br>Arthur Conan Doyle<br>THE THING INVISIBLE<br>William Hope Hodgson<br>THE CASE OF THE TRAGEDIES IN THE GREEK ROOM<br>Sax Rohmer<br>THE ALUMINIUM DAGGER<br>R. Austin Freeman<br>THE MIRACLE OF MOON CRESCENT<br>G.K. Chesterton<br>THE INVISIBLE WEAPON<br>Nicholas Olde<br>THE DIARY OF DEATH<br>Marten Cumberland<br>THE BROADCAST MURDER<br>Grenville Robbins<br>THE MUSIC-ROOM<br>Sapper<br>DEATH AT 8.30<br>Christopher St. John Sprigg<br>TOO CLEVER BY HALF<br>G.D.H. and Margaret Cole<br>LOCKED IN<br>E. Charles Vivian<br>THE HAUNTED POLICEMAN<br>Dorothy L. Sayers<br>THE SANDS OF THYME<br>Michael Innes<br>BEWARE OF THE TRAINS<br>Edmund Crispin<br>THE VILLA MARIE CELESTE<br>Margery Allingham<br><br></p></div>]]></description>
<category><![CDATA[Martin Edwards (ed)]]></category>
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<pubDate>Sun, 26 Nov 2023 20:36:25 +0200</pubDate>
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<title>The Measure of Malice</title>
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<p>British Library Crime Classics<br>Forensic dentistry; precise examination of ballistics; an expertise in apiology to identify the exact bee which killed the victim? <br>The detective’s role may be simple; solve the case and catch the culprit, but when the crime is fiendishly well-executed the application of the scientific method may be the only answer. <br>The detectives in this collection are masters of scientific deduction, employing principles of chemistry, the latest technological innovations and an irresistable logical brilliance in their pursuit of justice. With stories by early masters in the field such as Arthur Conan Doyle and L. T. Meade alongside fine-tuned mysteries from the likes of Edmund Crispin and Dorothy L. Sayers, The Measure of Malice collects tales of rational thinking to prove the power of the brain over villainous deeds.<br>Introduction<br>The Boscombe Valley Mystery Arthur Conan Doyle<br>The Horror of Studley Grange L. T. Meade and Clifford Halifax<br>The Tragedy of a Third Smoker C. J. Cutcliffe Hyne<br>The Man Who Disappeared L. T. Meade and Robert Eustace<br>The Cyprian Bees Anthony Wynne<br>The English Filter C. E. Bechhofer Roberts<br>The Contents of a Mare’s Nest R. Austin Freeman<br>After Death the Doctor J. J. Connington<br>The Broken Toad H. C. Bailey<br>In the Teeth of the Evidence Dorothy L. Sayers<br>The Case of the Chemist in the Cupboard Ernest Dudley<br>The Purple Line John Rhode<br>Blood Sport Edmund Crispin<br>The New Cement Freeman Wills Crofts<br><br><br></p></div>]]></description>
<category><![CDATA[Martin Edwards (ed)]]></category>
<dc:creator></dc:creator>
<pubDate>Tue, 26 Nov 2019 20:36:30 +0200</pubDate>
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<title>Guilty Parties</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/martin-edwards-ed/guilty_parties.jpg"><img src="https://picture.graycity.net/img/martin-edwards-ed/guilty_parties_preview.jpg" class="fr-fic fr-dib" title ="Guilty Parties" alt ="Guilty Parties"/></a><br//><div><p style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 19px;">Severn House is proud to be publishing a collection of new stories from the glittering talent of the members of the Crime Writers’ Association: </p><p style="font-family: 'MS Shell Dlg 2', sans-serif; font-size: 19px;"><b>contents</b></p><pre><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Hey Jude – Frances Brody<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Deadline – N.J. Cooper<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">The Death of Spiders – Bernie Crosthwaite<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Moments Musicaux – Judith Cutler<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">A Liberating Affair – Carol Anne Davis<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">A Glimpse of Hell – Martin Edwards<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">The Confessions of Edward Prime – Kate Ellis<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Tell it to the Bees – Jane Finnis<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Pacified – Christopher Fowler<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">The Franklin’s Second Tale – Paul Freeman<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Second Chance – John Harvey<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">All Yesterday’s Parties – Paul Johnston<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Party of Two – Ragnar Jónasson<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Reader, I Buried Them – Peter Lovesey<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">The Last Guilty Party – Phil Lovesey<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">What’s the Time, Mr Wolf? – Christine Poulson<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">The Wide Open Sky – Kate Rhodes<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Skeleton Crew – Chris Simms<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Flatmate Wanted: Smokers Welcome – C.L. Taylor<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Director’s Cut – Aline Templeton<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Like Father, Like Son – Ricki Thomas<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">Giving Something Back – L.C. Tyler<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">The Art of Old Age – Yvonne Eve Walus<br></span></font><font face="MS Shell Dlg 2, sans-serif"><span style="font-size: 19px;">The Man in the Next Bed – Laura Wilson</span></font></pre></div>]]></description>
<category><![CDATA[Martin Edwards (ed)]]></category>
<dc:creator></dc:creator>
<pubDate>Wed, 26 Nov 2014 20:36:29 +0200</pubDate>
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<title>Settling Scores</title>
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<p>British Library Crime Classics<br>Contents<br>Introduction<br>The Loss of Sammy Crockett—Arthur Morrison<br>The Adventure of the Missing Three-Quarter—Arthur Conan Doyle<br>The Double Problem—F. A. M. Webster<br>Fisherman’s Luck—J. Jefferson Farjeon<br>The Football Photograph—H. C. Bailey<br>The Red Golf Ball—Gerald Verner<br>The Boat Race Murder—David Winser<br>The Swimming Gala—Gladys Mitchell<br>The Case of the Man in the Squared Circle—Ernest Dudley<br>I, Said the Sparrow—Leo Bruce<br>Four to One—Bar One—Henry Wade<br>Death at the Wicket—Bernard Newman<br>The Wimbledon Mystery—Julian Symons<br>The Drop Shot—Michael Gilbert<br>Dangerous Sport—Celia Fremlin<br>Also Edited by Martin Edwards<br><br></p></div>]]></description>
<category><![CDATA[Martin Edwards (ed)]]></category>
<dc:creator></dc:creator>
<pubDate>Thu, 26 Nov 2020 20:36:26 +0200</pubDate>
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