The Dark, John McGahern's second novel, is set in rural Ireland. The themes - that McGahern has made his own - are adolescence and a guilty, yet uncontrollable sexuality that is contorted and twisted by both a puritanical state religion and a strange, powerful and ambiguous relationship between son and widower father. Against a background evoked with quiet, undemonstrative mastery, McGahern explores with precision and tenderness a human situation, superficially very ordinary, but inwardly an agony of longing and despair. 'It creates a small world indelibly and without recourse to deliberate heightening effects of prose. There are few writers whose work can be anticipated with such confidence and excitement.' Sunday Times 'One of the greatest writers of our era.' Hilary Mantel, New Statesman

John McGahern is considered by many to be the most important Irish prose writer of the last fifty years. McGahern's short stories equal his finest novels, reflecting both the richness of the ordinary, and the extraordinary, in the lives of a variety of individuals: the jilted lover waiting with would-be writers in a Dublin pub on a summer evening; the bitter climax between a father and son as a marriage begins; the fortunes and misfortunes of the Kirkwood family; and many more. For this revised edition, completed shortly before his death, John McGahern edited and deleted a number of stories from the Collected Stories that first appeared in 1992. This is the authorised edition of a modern classic. 'He writes with authority and gravity, and with an instinct for the most appropriate detail . . . His terse narrative seems free and full. He has the gift of being able to move fluently and unselfconsciously between a simple and a heightened style.' Times Literary Supplement 'One of the...

With this magnificently assured new novel, John McGahern reminds us why he has been called the Irish Chekhov, as he guides readers into a village in rural Ireland and deftly, compassionately traces its natural rhythms and the inner lives of its people. Here are the Ruttledges, who have forsaken the glitter of London to raise sheep and cattle, gentle Jamesie Murphy, whose appetite for gossip both charms and intimidates his neighbors, handsome John Quinn, perennially on the look-out for a new wife, and the town's richest man, a gruff, self-made magnate known as "the Shah." Following his characters through the course of a year, through lambing and haying seasons, market days and family visits, McGahern lays bare their passions and regrets, their uneasy relationship with the modern world, their ancient intimacy with death.

'Marvellous.' Susan Hill, The Times Elizabeth Reegan, after years of freedom - and loneliness - marries into the enclosed Irish village of her upbringing. The children are not her own; her husband is straining to break free from the servile security of the police force; and her own life, threatened by illness, seems to be losing the last vestiges of its purpose. Moving between tragedy and savage comedy, desperation and joy, John McGahern's first novel is one of haunting power. 'The details are evoked with a scrupulous yet enhancing accuracy that reminds one of the young Joyce. He is astonishingly successful in penetrating the mind of a mature woman confronted with pain and death. Mr McGahern is the real thing.' Spectator

These 34 funny, tragic, bracing, and acerbic stories represent the complete short fiction of one of Ireland's finest living writers. On struggling farms, in Dublin's rain-drenched streets, or in parched exile in Franco's Spain, McGahern's characters wage a confused but touching war against the facts of life.